Sure, you can use these firearms to shoot down your foes like a normal criminal, but that won’t satisfy Pedro. This wide array of weapons ranges from simple handguns to sniper rifles to machine guns. Our hero is equipped with a plethora of firearms. Thankfully, there is the option to fully remap the controls to a different scheme. Perhaps it’s just me, but clicking a stick rarely feels as intuitive as pressing a button, so I often found myself missing this ability. To make this intense gameplay possible, you’re able to “focus” and slow down time for brief periods with a click of the left stick. As should be expected from the premise, the gameplay strictly adheres to realism – after all, it lets you bounce off walls, snipe foes mid-air, and pirouette like a ballet dancer to dodge bullets and keep up a breakneck pace. My Friend Pedro is primarily a side-scrolling shoot’em up, but it also features significant elements of high-speed platforming and puzzle solving. All told, the story could be described as being absolutely “bananas” – but then again, such a pun would be low-hanging fruit.īut when you can look past the novelty of a game being focused on a sentient banana, you’ll be greeted with a hectic hybrid of genres.
There’s plenty of mystery in the game: who is our main character? What is his past? Why is he chased down by bounty hunters at every step? Most importantly, why does he have a floating banana following him around? Appropriately enough, all but the last of these questions are addressed throughout the story, and I soon found myself invested in solving these mysteries. That said, the narrative still manages to be surprisingly engaging for a story about a floating banana. It would have been nice if his bizarre nature could have been exploited for some more out-of-the-box dialogue. It can feel a bit restrained – Pedro’s commentary on gamer culture can be funny, but it’s nothing that you haven’t already seen before.
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The premise of the narrative is so wonderfully bizarre that it sometimes feels as if the game doesn’t take full advantage of it. However, Pedro’s remarks don’t always feel as memorable as they could have been. Pedro himself contributes to this with his abundant witticisms about violence in video games, censorship, politics, ballet, internet troll culture, and so much more. If it hasn’t already been made abundantly clear, the plot is nothing short of ridiculous.
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After Pedro presents a brief tutorial on how to exterminate his foes with the utmost style and grace, our character is set loose on a banana – and blood-filled – adventure that will take him from the soggiest sewers to the heart of the internet itself. Pedro soon informs our hero that he’s been captured by a local mobster, and it’s up to him to take down every gangster in his path to escape. Our mute, nameless main character has been knocked into a coma, and the first thing he sees upon waking up is his friend, Pedro: a floating, talking banana.
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